A study in emotional contrasts, “Suor Angelica” and “Gianni Schicchi” showcase Puccini’s extraordinary dramatic and musical versatility. “Suor Angelica” is a heart-wrenching story of loss and maternal ...

Performances in N.Y.C. Critic’s Notebook A century after his death, the composer of “La Bohème,” “Tosca” and “Madama Butterfly” still dominates the repertoire like no one since. Credit... Supported by ...

This image released by the Washington National Opera shows a set rendering by Wilson Chin showing one of his designs for a new production of Giacomo Puccini's "Turandot" opening May 11 at the ...

After seven years of loneliness and shame in an Italian convent, a young nun receives heartbreaking news from her callous aunt. What follows is the tragedy of “Suor Angelica,” Giacomo Puccini’s ...

Palm Beach Opera's free 'Curtain Warmers,' presented an hour prior to start time, offers insights into the production's ...

Coming off of her recent sold-out concert at the BroadStage, soprano Golda Zahra returns to Walt Disney Concert Hall for Pacific Music Festival’s gala “Opera Forever!” Marking 100 years since the ...

Princess Turandot, the namesake of Puccini's final opera, "Turandot," was easy to please when it came to men. Answer her three riddles correctly and you had her heart. Get them wrong and she had your ...

In a 10-year burst of creativity, Giacomo Puccini turned out “Manon Lescaut,” “La Bohème,” “Tosca” and “Madama Butterfly”( Pictorial Press Ltd/Alamy Stock Photo). This essay is a Cover Story selection ...

The Kennedy Center premieres a new ending for one of the world's most famous operas on Saturday in Washington, D.C. The opera is Turandot, and its ending has always been, shall we say, problematic.