Duckart’s second album, Death in the Business of Whaling, further develops his creative identity by adding a little mystery, ...

On his most recent album, EL NUEVO SONIDO, he perfects the formula he began developing on previous projects, like the more melodic and somewhat romantic MOJA or the more hedonistic and chaotic Kema, ...

Judging by his on-wax persona, Sleaford Mods vocalist Jason Williamson is the sort of guy you’d cross the street to avoid. He ...

Former Blood guitarist Julian McCamman’s scrappy, studio-augmented indie rock wears its heart on its sleeve.

Lucinda Williams’ world-weary new album takes comfort in rootsy rock’n’roll with a casual, authoritative swing that belies ...

Rhetorical questions bubble up throughout Jana Horn ’s latest album: “Is this all there is?” “What can I say?” “What is left?

Though the Durutti Column had been a disaster, Wilson was fascinated by the guitarist, who admired punk’s willfulness even ...

We’re celebrating the 30th anniversary of Pitchfork with a full week dedicated to Sunday Reviews of great albums from 1996.

In The Testament of Ann Lee, Shakers shake. Mona Fastvold’s film stars Amanda Seyfried as the founder of the religious ...

When he was a young child, Richard D. James loved to crack open the family piano and detune the strings he found inside. He ...

Julianna Barwick and Mary Lattimore have enough in common that it’d be weird if they hadn’t worked together. Both grew up in ...

Read Paul A. Thompson’s review of the album.